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<channel>
	<title>Humanities Feature Bureau</title>
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	<link>http://hfb.vfhblogs.org</link>
	<description>Humanities Feature Bureau &#124; The Stories We Live By</description>
	<lastBuildDate>Thu, 10 Sep 2009 15:25:23 +0000</lastBuildDate>
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	<itunes:summary>The Stories We Live By</itunes:summary>
	<itunes:author>Humanities Feature Bureau</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:owner>
		<itunes:name>Humanities Feature Bureau</itunes:name>
		<itunes:email>vafh-web@virginia.edu</itunes:email>
	</itunes:owner>
	<managingEditor>vafh-web@virginia.edu (Humanities Feature Bureau)</managingEditor>
	<itunes:subtitle>The Stories We Live By</itunes:subtitle>
	<itunes:keywords>Virginia, society, culture, vfh, humanities</itunes:keywords>
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		<title>Humanities Feature Bureau</title>
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	<itunes:category text="Society &amp; Culture">
		<itunes:category text="History" />
	</itunes:category>
		<item>
		<title>Folklife Field Notes</title>
		<link>http://hfb.vfhblogs.org/2009/09/folklife-field-notes/</link>
		<comments>http://hfb.vfhblogs.org/2009/09/folklife-field-notes/#comments</comments>
		<pubDate>Thu, 10 Sep 2009 15:25:23 +0000</pubDate>
		<dc:creator>VFH</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=110</guid>
		<description><![CDATA[The Humanities Feature Bureau focuses currently on the stories of Virginia&#8217;s traditional musicians, artists and craftspeople.   The monthly series &#8220;Folklife FieldNotes&#8221; features the archive recordings of Virginia State Folklorist, Jon Lohman, collected over his eight years of field work documenting the traditions of a Virginia whose demographics are rapidly changing.   To hear the stories, [...]]]></description>
			<content:encoded><![CDATA[<p>The Humanities Feature Bureau focuses currently on the stories of Virginia&#8217;s traditional musicians, artists and craftspeople.   The monthly series <a href="http://www.folklifefieldnotes.org" target="_blank">&#8220;Folklife FieldNotes&#8221;</a> features the archive recordings of <a href="http://www.virginiafolklife.org" target="_blank">Virginia State Folklorist, Jon Lohman,</a> collected over his eight years of field work documenting the traditions of a Virginia whose demographics are rapidly changing.   To hear the stories, visit <a href="http://www.folklifefieldnotes.org" target="_blank">www.folklifefieldnotes.org</a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Fort Monroe and &#039;Contraband of War&#039;</title>
		<link>http://hfb.vfhblogs.org/2009/08/126/</link>
		<comments>http://hfb.vfhblogs.org/2009/08/126/#comments</comments>
		<pubDate>Wed, 26 Aug 2009 18:34:27 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=126</guid>
		<description><![CDATA[Since the 17th century, fortifications have guarded the peninsula that juts out into the Chesapeake Bay,  where the Elizabeth, James and Nansemond Rivers converge.  Fort Monroe has stood sentry the longest, since 1819 &#8212; a six-sided stone structure that will continue to be an Army outpost until 2011. From then on, its future is subject [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://hfb.vfhblogs.org/files/2009/08/fortmonroe.jpg"><img class="alignnone size-full wp-image-130" style="margin: 5px" title="fortmonroe" src="http://hfb.vfhblogs.org/files/2009/08/fortmonroe.jpg" alt="fortmonroe" width="280" height="173" /></a>Since the 17th century, fortifications have guarded the peninsula that juts out into the Chesapeake Bay,  where the Elizabeth, James and Nansemond Rivers converge.  Fort Monroe has stood sentry the longest, since 1819 &#8212; a six-sided stone structure that will continue to be an Army outpost until 2011. From then on, its future is subject to much debate, but its place in African-American history is not, as Sondra Woodward explains:</p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/08/126/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/08/2009.06.11.sw_.fortmonroe.mp3" length="3568536" type="audio/mpeg" />
			<itunes:subtitle>Since the 17th century, fortifications have guarded the peninsula that juts out into the Chesapeake Bay,  where the Elizabeth, James and Nansemond Rivers converge.  Fort Monroe has stood sentry the longest,</itunes:subtitle>
		<itunes:summary>(http://hfb.vfhblogs.org/files/2009/08/fortmonroe.jpg)Since the 17th century, fortifications have guarded the peninsula that juts out into the Chesapeake Bay,  where the Elizabeth, James and Nansemond Rivers converge.  Fort Monroe has stood sentry the longest, since 1819 -- a six-sided stone structure that will continue to be an Army outpost until 2011. From then on, its future is subject to much debate, but its place in African-American history is not, as Sondra Woodward explains:</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>3:43</itunes:duration>
	</item>
		<item>
		<title>The authentic rebel yell?</title>
		<link>http://hfb.vfhblogs.org/2009/06/the-authentic-rebel-yell/</link>
		<comments>http://hfb.vfhblogs.org/2009/06/the-authentic-rebel-yell/#comments</comments>
		<pubDate>Tue, 02 Jun 2009 14:03:53 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=114</guid>
		<description><![CDATA[The rebel yell. What did it sound like &#8211; that battle cry that terrorized union troops and rallied Confederates to battle?  Historians have clues from letters and diaries but still have never agreed. Recently, though, a Richmond man released a CD of what he asserts is the authentic rebel yell. Producer Peter Solomon spoke with [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://hfb.vfhblogs.org/files/2009/06/rebel.jpg"><img class="alignnone size-full wp-image-117" style="margin: 5px" title="rebel" src="http://hfb.vfhblogs.org/files/2009/06/rebel.jpg" alt="rebel" width="250" height="236" /></a>The rebel yell. What did it sound like &#8211; that battle cry that terrorized union troops and rallied Confederates to battle?  Historians have clues from letters and diaries but still have never agreed. Recently, though, a Richmond man released a CD of what he asserts is the authentic rebel yell. Producer Peter Solomon spoke with Waite Rawls, President of the <a href="http://www.moc.org/">Museum of the Confederacy</a> in Richmond, Virginia.</p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/06/the-authentic-rebel-yell/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/06/2009.05.22.ps_.rebelyell.mp3" length="3461981" type="audio/mpeg" />
			<itunes:subtitle>The rebel yell. What did it sound like - that battle cry that terrorized union troops and rallied Confederates to battle?  Historians have clues from letters and diaries but still have never agreed. Recently, though,</itunes:subtitle>
		<itunes:summary>(http://hfb.vfhblogs.org/files/2009/06/rebel.jpg)The rebel yell. What did it sound like - that battle cry that terrorized union troops and rallied Confederates to battle?  Historians have clues from letters and diaries but still have never agreed. Recently, though, a Richmond man released a CD of what he asserts is the authentic rebel yell. Producer Peter Solomon spoke with Waite Rawls, President of the Museum of the Confederacy (http://www.moc.org/) in Richmond, Virginia.</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>3:36</itunes:duration>
	</item>
		<item>
		<title>A poetic collaboration</title>
		<link>http://hfb.vfhblogs.org/2009/05/a-poetic-collaboration/</link>
		<comments>http://hfb.vfhblogs.org/2009/05/a-poetic-collaboration/#comments</comments>
		<pubDate>Mon, 18 May 2009 14:16:12 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=121</guid>
		<description><![CDATA[In the Late 1970s, Almost a third of Cambodia&#8217;s people were murdered by the Khmer Rouge regime or died from starvation.  A U.N.-backed court is finally trying these war crimes. But, closer to home here in Virginia, a Vietnamese-American artist and a Roanoke-based poet are exploring how to honor the victims through their art [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://hfb.vfhblogs.org/files/2009/06/Danh.jpg"><img class="alignnone size-full wp-image-122" style="border: 3px solid black;margin: 5px" title="Danh" src="http://hfb.vfhblogs.org/files/2009/06/Danh.jpg" alt="Danh" width="318" height="239" /></a>In the Late 1970s, Almost a third of Cambodia&#8217;s people were murdered by the Khmer Rouge regime or died from starvation.  A U.N.-backed court is finally trying these war crimes. But, closer to home here in Virginia, a Vietnamese-American artist and a Roanoke-based poet are exploring how to honor the victims through their art and forging a unique collaboration. Jesse Dukes has this report.</p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/05/a-poetic-collaboration/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/06/2009.05.28.jd_.bindanh.mp3" length="3576477" type="audio/mpeg" />
			<itunes:subtitle>In the Late 1970s, Almost a third of Cambodia&#039;s people were murdered by the Khmer Rouge regime or died from starvation.  A U.N.-backed court is finally trying these war crimes. But, closer to home here in Virginia,</itunes:subtitle>
		<itunes:summary>(http://hfb.vfhblogs.org/files/2009/06/Danh.jpg)In the Late 1970s, Almost a third of Cambodia&#039;s people were murdered by the Khmer Rouge regime or died from starvation.  A U.N.-backed court is finally trying these war crimes. But, closer to home here in Virginia, a Vietnamese-American artist and a Roanoke-based poet are exploring how to honor the victims through their art and forging a unique collaboration. Jesse Dukes has this report.</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>3:44</itunes:duration>
	</item>
		<item>
		<title>John Cephas&#039;s Piedmont Blues</title>
		<link>http://hfb.vfhblogs.org/2009/03/john-cephass-piedmont-blues/</link>
		<comments>http://hfb.vfhblogs.org/2009/03/john-cephass-piedmont-blues/#comments</comments>
		<pubDate>Fri, 13 Mar 2009 20:49:58 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[Arts]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=105</guid>
		<description><![CDATA[On March 4th, bluesman John Cephas passed away at the age of 78.  Though late in life he performed around the world, Cephas learned his style of blues &#8212; called the Piedmont Blues &#8212; from family in Caroline County, Virginia.  Producer Steve Clark has more on Virginia&#8217;s Piedmont Blues.
We recommend these two resources to learn [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://hfb.vfhblogs.org/files/2009/03/tom_pich_photo_1989_sm.jpg"><img class="alignnone size-full wp-image-109" style="margin: 5px" title="tom_pich_photo_1989_sm" src="http://hfb.vfhblogs.org/files/2009/03/tom_pich_photo_1989_sm.jpg" alt="tom_pich_photo_1989_sm" width="200" height="196" /></a>On March 4th, bluesman John Cephas passed away at the age of 78.  Though late in life he performed around the world, Cephas learned his style of blues &#8212; called the Piedmont Blues &#8212; from family in <a href="http://maps.google.com/maps?source=ig&amp;hl=en&amp;rlz=&amp;q=bowling+green+va&amp;um=1&amp;ie=UTF-8&amp;split=0&amp;gl=us&amp;ei=w8a6SeGuLKGbtwejz8TiDw&amp;sa=X&amp;oi=geocode_result&amp;resnum=1&amp;ct=title" target="_blank">Caroline County, Virginia</a>.  Producer Steve Clark has more on Virginia&#8217;s Piedmont Blues.</p>
<p>We recommend these two resources to learn more about John Cephas:</p>
<ul>
<li><a href="http://www.lva.virginia.gov/trailblazers/honoree.asp?bio=6" target="_blank">Library of Virginia&#8217;s 2009 African-American Trailblazers</a></li>
<li><a href="http://hfb.vfhblogs.org/files/2009/03/20090316scpiedmontblues.mp3" target="_blank">Virginia Folklife Program&#8217;s Master Profile of Cephas</a></li>
</ul>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/03/john-cephass-piedmont-blues/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/03/20090316scpiedmontblues.mp3" length="3633477" type="audio/x-mpeg" />
			<itunes:subtitle>On March 4th, bluesman John Cephas passed away at the age of 78.  Though late in life he performed around the world, Cephas learned his style of blues -- called the Piedmont Blues -- from family in Caroline County, Virginia.</itunes:subtitle>
		<itunes:summary>(http://hfb.vfhblogs.org/files/2009/03/tom_pich_photo_1989_sm.jpg)On March 4th, bluesman John Cephas passed away at the age of 78.  Though late in life he performed around the world, Cephas learned his style of blues -- called the Piedmont Blues -- from family in Caroline County, Virginia (http://maps.google.com/maps?source=ig&amp;hl=en&amp;rlz=&amp;q=bowling+green+va&amp;um=1&amp;ie=UTF-8&amp;split=0&amp;gl=us&amp;ei=w8a6SeGuLKGbtwejz8TiDw&amp;sa=X&amp;oi=geocode_result&amp;resnum=1&amp;ct=title).  Producer Steve Clark has more on Virginia&#039;s Piedmont Blues.

We recommend these two resources to learn more about John Cephas:

	* Library of Virginia&#039;s 2009 African-American Trailblazers (http://www.lva.virginia.gov/trailblazers/honoree.asp?bio=6)
	* Virginia Folklife Program&#039;s Master Profile of Cephas (http://hfb.vfhblogs.org/files/2009/03/20090316scpiedmontblues.mp3)
</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>A Reunited Collection Tours the Commonwealth</title>
		<link>http://hfb.vfhblogs.org/2009/03/101/</link>
		<comments>http://hfb.vfhblogs.org/2009/03/101/#comments</comments>
		<pubDate>Mon, 09 Mar 2009 17:36:04 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[Arts]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Religion]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=101</guid>
		<description><![CDATA[Matisse, Picasso, Chagall: an extensive collection of European Modern Art began a two-year tour around Virginia this month.  Sixty years ago, a private donor gave the paintings away, splitting them between the University of Virginia&#8217;s Art Museum and the Virginia Museum of Fine Arts in Richmond.  This touring exhibition reunites the works for the first [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.vmfa.state.va.us/matisse_picasso.html"><img class="alignnone size-full wp-image-102" style="margin: 5px" title="matisse_lorette" src="http://hfb.vfhblogs.org/files/2009/03/matisse_lorette.jpg" alt="matisse_lorette" width="120" height="157" /></a>Matisse, Picasso, Chagall: an extensive collection of European Modern Art began a two-year tour around Virginia this month.  Sixty years ago, a private donor gave the paintings away, splitting them between the University of Virginia&#8217;s Art Museum and the Virginia Museum of Fine Arts in Richmond.  This touring exhibition reunites the works for the first time for display in Charlottesville, Winchester, Abingdon and Richmond.  Peter Solomon reports on <a href="http://www.vmfa.state.va.us/matisse_picasso.html" target="_blank">&#8220;Matisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collection.&#8221;</a></p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/03/101/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/03/20090309pstcatesbyjones.mp3" length="3936025" type="audio/mpeg" />
			<itunes:subtitle>Matisse, Picasso, Chagall: an extensive collection of European Modern Art began a two-year tour around Virginia this month.  Sixty years ago, a private donor gave the paintings away, splitting them between the University of Virginia&#039;s Art Museum and th...</itunes:subtitle>
		<itunes:summary>(http://hfb.vfhblogs.org/files/2009/03/matisse_lorette.jpg)Matisse, Picasso, Chagall: an extensive collection of European Modern Art began a two-year tour around Virginia this month.  Sixty years ago, a private donor gave the paintings away, splitting them between the University of Virginia&#039;s Art Museum and the Virginia Museum of Fine Arts in Richmond.  This touring exhibition reunites the works for the first time for display in Charlottesville, Winchester, Abingdon and Richmond.  Peter Solomon reports on &quot;Matisse, Picasso, and Modern Art in Paris: The T. Catesby Jones Collection.&quot; (http://www.vmfa.state.va.us/matisse_picasso.html)</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>4:06</itunes:duration>
	</item>
		<item>
		<title>Abraham Lincoln&#039;s Shenandoah Valley Roots</title>
		<link>http://hfb.vfhblogs.org/2009/02/lincoln/</link>
		<comments>http://hfb.vfhblogs.org/2009/02/lincoln/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 21:40:46 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=98</guid>
		<description><![CDATA[ Monday February 16th is Presidents Day—set aside to honor Presidents Washington and Lincoln.  Washington is a recognized Virginian. And, although Illinois calls itself the Land of Lincoln, the roots of our sixteenth president actually run deep into Virginia&#8217;s     Shenandoah Valley, as well. Martha Woodroof reports.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.lincolnva.org"><img class="alignnone size-medium wp-image-97" title="licoln-day" src="http://hfb.vfhblogs.org/files/2009/02/licoln-day.jpg" alt="" /></a> Monday February 16th is Presidents Day—set aside to honor Presidents Washington and Lincoln.  Washington is a recognized Virginian. And, although Illinois calls itself the Land of Lincoln, the roots of our sixteenth president actually run deep into Virginia&#8217;s     Shenandoah Valley, as well. Martha Woodroof reports.</p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/02/lincoln/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/02/20090213mwlincolnvalley.mp3" length="3744078" type="audio/mpeg" />
			<itunes:subtitle> Monday February 16th is Presidents Day—set aside to honor Presidents Washington and Lincoln.  Washington is a recognized Virginian. And, although Illinois calls itself the Land of Lincoln, the roots of our sixteenth president actually run deep into Vi...</itunes:subtitle>
		<itunes:summary>(http://hfb.vfhblogs.org/files/2009/02/licoln-day.jpg) Monday February 16th is Presidents Day—set aside to honor Presidents Washington and Lincoln.  Washington is a recognized Virginian. And, although Illinois calls itself the Land of Lincoln, the roots of our sixteenth president actually run deep into Virginia&#039;s     Shenandoah Valley, as well. Martha Woodroof reports.</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>3:54</itunes:duration>
	</item>
		<item>
		<title>History to the NINES</title>
		<link>http://hfb.vfhblogs.org/2009/02/history-to-the-nines/</link>
		<comments>http://hfb.vfhblogs.org/2009/02/history-to-the-nines/#comments</comments>
		<pubDate>Fri, 06 Feb 2009 21:33:44 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Literature]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=95</guid>
		<description><![CDATA[Today  there is a social networking website for every interest group. Even scholars of 19th century history.  But one such website run by the University of Virginia allows researchers to do more than just share pictures or chat, as reporter Martha Woodroof explains.
]]></description>
			<content:encoded><![CDATA[<p>Today  there is a social networking website for every interest group. Even scholars of 19th century history.  But one such website run by the University of Virginia allows researchers to do more than just share pictures or chat, as reporter Martha Woodroof explains.</p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/02/history-to-the-nines/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/02/20090206mwnines.mp3" length="3408875" type="audio/mpeg" />
			<itunes:subtitle>Today  there is a social networking website for every interest group. Even scholars of 19th century history.  But one such website run by the University of Virginia allows researchers to do more than just share pictures or chat,</itunes:subtitle>
		<itunes:summary>Today  there is a social networking website for every interest group. Even scholars of 19th century history.  But one such website run by the University of Virginia allows researchers to do more than just share pictures or chat, as reporter Martha Woodroof explains.</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>3:33</itunes:duration>
	</item>
		<item>
		<title>Raising a Coffeehouse Wall</title>
		<link>http://hfb.vfhblogs.org/2009/01/raising-a-coffeehouse-wall/</link>
		<comments>http://hfb.vfhblogs.org/2009/01/raising-a-coffeehouse-wall/#comments</comments>
		<pubDate>Fri, 23 Jan 2009 20:37:39 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[History]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=88</guid>
		<description><![CDATA[Colonial Williamsburg is usually pretty quiet in the Winter.  But this year, there’s quite a bit of activity on one end of the museum’s main street. Sondra Woodward visits the archaeological site of an 18th century coffeehouse turned  modern day construction site.
Watch progress of the Charlton Coffeehouse restoration.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://hfb.vfhblogs.org/files/2009/01/wallraising.jpg"><img class="size-medium wp-image-90 alignleft" style="margin: 5px" title="wallraising" src="http://hfb.vfhblogs.org/files/2009/01/wallraising.jpg" alt="" width="197" height="131" /></a>Colonial Williamsburg is usually pretty quiet in the Winter.  But this year, there’s quite a bit of activity on one end of the museum’s main street. Sondra Woodward visits the archaeological site of an 18th century coffeehouse turned  modern day construction site.</p>
<p><strong><a href="http://www.history.org/capitolcam/coffeehouse.cfm" target="_blank">Watch progress of the Charlton Coffeehouse restoration.</a></strong></p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/01/raising-a-coffeehouse-wall/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/02/20090123swcwcoffeehouse.mp3" length="3594031" type="audio/mpeg" />
			<itunes:subtitle>Colonial Williamsburg is usually pretty quiet in the Winter.  But this year, there’s quite a bit of activity on one end of the museum’s main street. Sondra Woodward visits the archaeological site of an 18th century coffeehouse turned  modern day constr...</itunes:subtitle>
		<itunes:summary>(http://hfb.vfhblogs.org/files/2009/01/wallraising.jpg)Colonial Williamsburg is usually pretty quiet in the Winter.  But this year, there’s quite a bit of activity on one end of the museum’s main street. Sondra Woodward visits the archaeological site of an 18th century coffeehouse turned  modern day construction site.

Watch progress of the Charlton Coffeehouse restoration. (http://www.history.org/capitolcam/coffeehouse.cfm)</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>3:45</itunes:duration>
	</item>
		<item>
		<title>Growth of Celtic Church Services</title>
		<link>http://hfb.vfhblogs.org/2009/01/growth-of-celtic-church-services/</link>
		<comments>http://hfb.vfhblogs.org/2009/01/growth-of-celtic-church-services/#comments</comments>
		<pubDate>Fri, 09 Jan 2009 20:34:43 +0000</pubDate>
		<dc:creator>lew4n</dc:creator>
				<category><![CDATA[Religion]]></category>

		<guid isPermaLink="false">http://www.vfhradio.org/features/?p=86</guid>
		<description><![CDATA[A growing number of  Christian churches across the United States are adding Celtic-inspired  services to their worship offerings. To find out why, Nancy King paid a  visit to an Episcopal Church just west of Charlottesville.
]]></description>
			<content:encoded><![CDATA[<p>A growing number of  Christian churches across the United States are adding Celtic-inspired  services to their worship offerings. To find out why, Nancy King paid a  visit to an Episcopal Church just west of Charlottesville.</p>
]]></content:encoded>
			<wfw:commentRss>http://hfb.vfhblogs.org/2009/01/growth-of-celtic-church-services/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
<enclosure url="http://hfb.vfhblogs.org/files/2009/01/20090109nkcelticchurch.mp3" length="3510177" type="audio/mpeg" />
			<itunes:subtitle>A growing number of  Christian churches across the United States are adding Celtic-inspired  services to their worship offerings. To find out why, Nancy King paid a  visit to an Episcopal Church just west of Charlottesville.</itunes:subtitle>
		<itunes:summary>A growing number of  Christian churches across the United States are adding Celtic-inspired  services to their worship offerings. To find out why, Nancy King paid a  visit to an Episcopal Church just west of Charlottesville.</itunes:summary>
		<itunes:author>Humanities Feature Bureau</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>3:39</itunes:duration>
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